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The manga depicted the same-sex love of the handsome young Gilbert, but also included vivid scenes of rape and incest, sparking a sensation.Īt the time, the monthly Bessatsu shōjo comic, featuring stories by Hagio and Takemiya, sold over a million copies an issue. Then, in 1976, Takemiya began her Kaze to ki no uta (The Poem of Wind and Trees) series, considered the pinnacle of the shōnen-ai genre.
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The Heart of Thomas), a series set in a German boarding school. She followed this in 1974 with Tōma no shinzō (trans. It tells the exploits of the young-looking “vampanellas” (vampires) Edgar and Alan across the centuries, and is considered an immortal title in girls’ manga. Hagio Moto launched her series Pō no ichizoku (trans. In the autobiographical manga Shōnen no na wa Jirubēru (The Boy’s Name is Gilbert), Takemiya said she had aimed to spark a revolution through her girls’ manga.Ī 2019 rerelease of Takemiya’s Shōnen no na wa Jirubēru (The Boy’s Name is Gilbert) The creators consciously aimed to rock society through new forms of expression in manga. They were labeled the “Year 24 Group of Flowers,” a reference to their generation’s brilliant performance and their birth around 1949 (Showa 24). This realization offered an opportunity, and female readers fervently embraced these works depicting attachment and love between male characters.Ī group of female writers, including Takemiya Keiko and Hagio Moto, produced the first shōnen-ai (adolescent boys’ love) manga. With male protagonists, creators could depict more independent and proactive characters and include bold erotic narratives. Previously, girls’ manga featured female lead characters, inevitably limiting expression, due to women’s position in society. This spawned the adolescent boys’ love concept. Suddenly, female artists not much older than their audience began producing manga that they themselves wanted to read. But in the late 1960s, a new wave of female artists emerged, born after the war. Until the mid-1960s, most manga for girls were created by male artists.
But what are the origins of BL in Japan, and how has the genre changed over time? The Revolution of Takemiya Keiko and Hagio Motoįujimoto believes that BL in the general sense first emerged as shōnen-ai (adolescent boys’ love) in girls’ manga in the 1970s, offering depictions of strong bonds and erotic encounters between adolescent boys. Each evolved along a unique path, depicting the complexities of social circumstances in which LGBT people find themselves.
According to Fujimoto Yukari, a researcher of girls’ manga and gender issues, there is growing interest in BL culture in Thailand, China, Taiwan, Korea, and other Asian countries. Thai BL television dramas, available through video streaming services and satellite channels, have also gained a fan base in Japan.īoys’ love originated in Japan, spreading globally as one genre of manga and anime. 2gether, a love story of two male university students, won many fans, with an official YouTube channel with English subtitles-even topping Twitter’s global trends list. Boys’ love television dramas from Thailand have recently garnered a worldwide cult following.